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Darren Shay Hovell

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"Generations of Christmas" 

Collaboration of local Business

Media Coverage

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Program-tickets

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How      

1. Find a good cause, that is not controversial, to raise money for. (In this case the High School  Auditorium was in need of repairs that were not included in a local tax increase)

2. Partner with other local business (make sure one is TV, radio or newspaper- you need them on the ticket to obtain advertising at no cost. Make sure your sponsors are well liked within your  community also)

 3. Look for people in the community to help with the project. (set construction, costumes etc) Find out by asking who the reliable people would be- nothing is more frustrating than having a group of  people that do not complete their assigned tasks- it only creates more work for you.

4. Take the reigns as coordinator- this keeps you abreast on all developments and problems as they arise.

5. Take advantage of any and all free advertising (with the right cause you can get stories in the local paper- and community news in other media)

6. To make the job as coordinator easier get everybody's E-mail address as soon as possible. Keep them updated as to how the project is going and what is needed and expected.

7.  Find creative ways to push ticket sales. (In this project the 3 sponsors offered any High School student who sold the most tickets $100) Always carry extra tickets on you wherever you go- for this to be a success you need to have a full house. Offer a few free tickets to radio stations for promotional give-a-ways- this gets the word at no cost on the air.

8. Children in a performance help to greatly increase ticket sales since most family members will attend.

9. Great organizational skills are key to making everything come together.

The Show/Performance 

1. Check other local events in the area so that you are not in conflict with another that could hinder ticket sales.

2. Make sure you have representation of your company in the audience and available afterwards to help promote.

3. Three  things are key for a good show- an uplifting opening and closing and at least one good act in the middle. Keep the show in a variety format and make sure all acts are tasteful. The show needs to reflect a professionalism of the sponsors- and make them glad they participated in the event.

4. Line up the acts so that the show can flow as quickly as possible, waiting for large groups to tear down and set up can be extremely boring for audience members.

5. An emcee that can think quick on their feet is crucial in the event; a backstage problem arises that requires more time than expected. Someone who has been in the profession before will make for a better choice than a first timer.

6. After the performance hold some kind of reception to allow you to greet the audience members

7. Invite local celebrities to be a part of the show. (a local newscaster can make for a good emcee- they are recognizable and       used to thinking on their feet)

8. Get people to work backstage that have experience (local theatre groups can help you here) 9. For the performance someone needs the title and experience of a director to make everything come  together.

10. Seek out talent that you know. Asking people to perform 1 number is easier than asking them to carry a whole show. Put all these acts together and you have a show.

11. For full cast rehearsals prior to the show, in writing, have all the areas that need rehearsal and the line up. An unorganized rehearsal will end in chaos.

12. Make sure thank you's and acknowledgments are given to all involved.

 

Time Lines

 

2 months prior

1. Secure all sponsors- make sure they have a clear understanding of what their involvement is­ put this in writing.
2. Line up enough performers for at least 1.5 hour show. (shows that are too long only aggravate an audience) I would avoid an audition situation
- this situation means some get to perform and some don't, this makes for hard feelings before  the show even begins. Get commitments from performers- you don't need to know what they are performing but just that they are.
3. Put together your media promotional material strategy - decide this with your other sponsors
if any. Take full advantage of free publicity.
4. Put together a list of everything you need for the performance to happen. (lights, sound, stage, etc. )
5. Decide on a theme and create a logo for any & all promotional material.
 6. Give all people involved a clear and precise understanding of what their duties are. Check on
  these- if people are not performing their duties you will have to step in and get them completed so give yourself plenty of time.
7. Get all E-mail addresses and let the correspondence begin. Many times it is easier to give
  them yours and have them email you- this way you get an accurate address.

1 month prior

1. Start your "teaser" ads or story in the local paper or TV- this is so the general public knows it coming.
2. Check and re-check all things involved in the production to make sure all are, on track. 3. Find out from performers what the title of their performance will be- and give a program  deadline.

2 weeks prior

1. (depending on your printer) Program deadline- get all sponsor's logos or ad material
2. Blitz the media with your promotional material- now till showtime
3. Get tickets in convenient places for people to purchase.
4. Get performers & sponsors fired up and excited about upcoming event.

 

1 week prior

 

1. Set up a full cast rehearsal schedule
2. Give written directions to people working house, selling tickets at the door, stress the importance

of making this a happy event for the audience.

 Showtime prior

  1. Have a tech meeting and let all people know what will happen on stage for each act and how they react within their control panel (this also makes for a much smoother dress rehearsal)
 2. Schedule a dress rehearsal- expect this to take a lot longer than what you think. 
3. Have special sponsor seats labeled and in good locations so that they are in plain view of the audience. Have sponsors wear name tags or a flower to designate them from others.